3. Поскольку отправки Т800 из 2029 года УЖЕ не было (будущее ведь изменено), Скайнет изначально (а не вторично) отправляет в прошлое терминатора. На сей раз уже Т1000, и не в 1984, а в 1992 год, убить самого Джона. Ну, а Джон отправляет на помощь самому себе перепрограммированного Т800. Кайла Ривза, кстати, в измененном будущем могло ВООБЩЕ не существовать (он был лишь в прошлом, перемещенный из уже не существующего будущего). Дальше мы знаем - наши герои предотвращают появление Скайнета, убивают Т1000 и Шварца по его же просьбе.
Этому противоречит то,что Сара говорит в самом начале второго фильма: Скайнет послал в прошлое сразу двух терминаторов. Это явный реткон, но тем не менее.
И ещё один момент. Тут я уже ранее упоминал про сцену в будущем, которая должна быть в начале второго фильма и которую не сделали из-за дороговизны. В ней должны были показать, как Джон Коннор отправлял в прошлое и Кайла Риза и Т800.
Выдержка из сценария фильма (отправка Риза в прошлое):
INT. TIME DISPLACEMENT CHAMBER
Vault-like doors open. Connor strides through with
authority and purpose. He is saluted smartly by everyone
he encounters, though he wears no insignia of rank.
There is a bustle of hurried activity here. The chamber
is the size of a high-school gym and consist totally of
machine surfaces. Nothing in the design makes any sense.
We can't tell what anything does. It is a technology we
cannot imagine.
CONNOR (V.O.)
Skynet, being almost infinitely
smart, was also infinitely tricky.
It knew it was losing, so it thought
of a way to rig the game...
Technicians have pulled up floor panels and tapped
directly into cabling of the machine, using portable
terminals that they have wheeled in. Many of the soldiers
in this war against machines are technical specialists...
you have to fight fire with fire.
CONNOR (V.O.)
And now, though we've won the war,
there is still one battle left to
fight. The most important one. It
will be fought in the past, almost
four decades ago... before all this
began... See, the only problem with
time travel is... it ain't over even
when it's over.
At the far end of the room, a young soldier stands
surrounded by a team of technicians. KYLE REESE. Sarah
Connor's defender, teacher, and lover in the first film.
A simple soldier who is about to walk point-blank into the
gaping maw of history. At the moment, he is the center of
activity. As he finishes stripping off his battle
uniform, the techs begin smearing his body with a
conductive so the time-field will follow his outline.
Reese looks around at all the activity. Battle and the
prospect of death have never scared him. But the
importance of what he is about to do terrifies him.
The techs move aside and suddenly John Connor is standing
beside him. Connor... their grim messiah. Their leader.
He fixes Reese with an intense gaze. There is so much he
wants to say, but cannot bring himself to. Finally Reese
speaks.
REESE
Did you know I'd be the one who
volunteered?
Connor nods.
CONNOR
I've always known. Sarah told me.
Reese nods. Suddenly understanding everything.
REESE
That's why you moved me to your
unit? Kept me so close.
Connor shrugs enigmatically.
One of the techs interrupts them
TECH
We're ready, Sergeant.
THREE ENORMOUS CHROME RINGS, one inside the other, are
suspended in a circular hole in the center of the room's
floor. John and Reese approach them.
Reese steps onto the first ring. It bobs under his
weight. We see that the rings are freely floating in a
magnetic field. Reese steps to the inner ring and looks
into the hole. A vast echoing darkness below. He looks
back at John. The messiah is waiting for him to step into
the bottomless pit.
CONNOR
Sometimes you have to put your faith
in the machine.
Reese takes a breath, then steps into open space and is
buoyed up by an unseen field of force. He floats in the
middle of the rings. The techs start the time
displacement sequence.
THE RINGS BEGIN TO MOVE, slowly rotating around each other
on different axis like some complex gyroscope.
THE FLOOR BEGINS TO SPLIT OPEN, like wedges in a pie which
begin to pull back from the center. The rings are
spinning faster now, suspended in space in the middle of
the receding floor wedges. The rings begin to descend.
JOHN AND REESE LOCK EYES as they move apart. Reese is
dropping into an unbelievably vast circular space... the
time-field generator. John watches him go, until Reese is
a tiny figure. The rings are spinning so rapidly now they
almost disappear, becoming a sphere of whirling steel.
Technicians pull John back from the edge.
LIGHTNING BEGINS TO ARC across the vast room below. A
huge charge of energy is building up. Everyone takes
cover behind blast walls they have set up. They put on
goggles like they used to do at A-bomb tests. This is
going to be big.
The chamber below has become a Hell of energy with Reese
at its center. The drone and crackle of the machines
builds to thunder, there is a BLINDING FLASH OF LIGHT!
When the glare fades the floating rings are empty. They
slow to a stop, seared and smoking. Reese is gone.
FUENTES, one of the officers, turns to Connor.
FUENTES
Now what happens to Reese? I mean,
what did happen?
Connor's gaze seems far away from this time and place.
CONNOR
He accomplishes his mission and in
doing so, he dies.
FUENTES
He is a good soldier.
Connor solemnly nods.
CONNOR
Yes... He's also my father.
FUENTES
Mother of God!
Выдержка из сценария фильма (Коннор в будущем изучает хранилище терминаторов):
INT. COLD STORAGE FACILITY
Connor walks into the darkness, followed by a few
technicians. They are in a vault-like cold-storage room.
Hanging in steel racks from ceiling tracks are hundreds of
what appear to be men. They are in rows of ten. Within
each row, each of the bodies are absolutely identical.
Connor signals the techs to remain by the door and walks
out among the dark bodies. They are UNACTIVATED
TERMINATORS. He stops at a row in which they are
identical to the terminator which was sent to kill Sarah
(the Arnold model).
He walks to the end of the row. There is one empty rack.
He faces the terminator in the next rack. Its eyes are
closed.
John seems distant as he studies that face.
Fuentes enters the chamber, pushing past the technicians.
Calls for his leader in the darkness.
с большим количеством материалов, концепт артов, выдержек из сценария и комментариев создателей фильмов.
Джон Коннор бомж - бред. Не мог будущий спаситель человечества до такого докатиться. Создатели фильма даже не попытались придумать ситуацию, которая бы могла стать причиной его слома, а просто решили, что мы поверим им в этом на слово. Только вот верится с трудом.
Вобще-то это, пожалуй, самое логичное в третьем фильме. Джон не хотел, чтобы его нашли машины - соответсвенно не оставлял никаких документов. В 2003 это может было не так актуально, но сейчас это было бы самое логичное, если бы ты хотел, чтобы тебя не нашли.
Небольшой бонус: согласно изначальному сценарию Т1 терминаторы должны были есть, чтобы поддерживать жизнь внешней оболочки.
Кайл рассказывает Саре про Т800:
"It's called a cyborg really. Cybernetic organism. A
machine put together with a living thing. The skin, and
some layers under it, the hair, the surface of the eyes,
and the inside of the mouth... all that stuff's human
tissue, genetically designed for the cyborgs. But
underneath it's all steel and titanium. Hydraulic
actuators instead of muscles. Controlled by a
microcomputer. It has to eat and breathe to keep the skin
alive, though a lot less than us... and there's a little
tiny heart and internal organs about the size of a
chicken's in a recessed compartment."
Согласно сценарию, Т800 закусывал батончиком МилкиВэй.
Treatment part 1 - after killing the first Sarah Connor
Some kids who have gathered nervously at the curb step
back as he walks out, gets in the car, and drives away.
He pulls a Milky Way bar out of his pocket and eats it as
he drives, in two bites, without removing the wrapper.
